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Rethink, revitalize and reinvent the way you shoot portraits.

Photo Idea Index: People is a photography book unlike any other. Rather than focusing on the "how to" aspects of digital photography, author Jim Krause focuses on the "what if" aspects. You'll learn how to use your camera to photograph people around you from different perspectives and how to capture personal, beautiful digital images. You'll learn how subtle variations in setting, lighting, props and digital manipulation can change the look of an image dramatically.

Krause shares his shooting techniques—both on-site and post-shooting digital treatments—so you can train your eyes to look for situations that will allow you to capture unique shots and create remarkable compositions.

• Sales Rank: #1302353 in Books
• Brand: HOW Design
• Published on: 2010-08-24
• Original language: English
• Number of items: 1
• Dimensions: 5.75" h x 1.02" w x 9.13" l, 1.86 pounds
• Binding: Paperback
• 360 pages

Features

• Used Book in Good Condition

About the Author

Jim Krause has worked as a designer in the Pacific Northwest since the 1980s. He has produced award-winning work for clients large and small, including Microsoft, McDonald's, Washington Apples, Bell Helicopter, Paccar/Kenworth, Northern Trust and Seattle Public Schools. He lives in Bellingham, Washington.

Most helpful customer reviews

10 of 10 people found the following review helpful.
If you want your photos to have personality and uniqueness, this book is priceless!
By H. Hosny
Every one of us is unique; but not every one of us knows how to express uniqueness in our photos. If you look at the photos of 100 people, you'd be hard pressed to see any difference in the photos of 95 photographers. But the other five will enchant you.

This is a book about how to be within that five percent. Jim Krause brings you as close as any author will bring you to being innovative, to being daring, and to making your photos stand out against other people's photos. You get hundreds and hundreds of images as well as very copious explanatory text to walk you through exactly what avenues of creativity there are for situations in which you'd otherwise be stumped for ideas.

Your point of view, your technique, and your post processing of images will all be bolstered a *whole* lot by this book.

Another really unique thing about this book (as well as Krause's other books in this series) is that he doesn't have the annoying habit many authors have of sharing part of the secrets to success while keeping the other part to himself. One senses that Krause is telling you everything he knows. It's a form of honesty that most people will really appreciate.

People who already own Krause's older titles like _Photo Idea Index_ will already have a leg up in knowing that Krause believes in learning to see any given subject not in one, but in many, different ways. I almost lost my mind when I first looked at Photo Indea Index and saw the exercise in which Krause managed to show around 150 different points of view in the photography of a fork. A simple fork! Anyone who does that has bone-crushingly open vision. The same, more or less, applies in this book. A handful of people subjects are photographed in so many incredibly interesting ways that you can't help but to be impressed.

I actually went ahead and bought all three books in the series and I consider them to be endless layers of inspiration. It's impossible to overstate how much they are helping me to think outside the box.

5 of 5 people found the following review helpful.
My FAVORITE!
By G.K.
An amazing book. Seriously. I rarely write reviews, but this book has me really enthused and I felt obliged to post something (and forgive me if this review is a little long). Photo Idea Index: People is a totally different animal compared to other books about digital photography (and I own an embarrassingly large collection of books on the subject). The author went out and shot about five hundred photographs just for this book. All kinds of different photos using just three different people as subjects. And, according to the book's intro, he presents each one of these photos in hopes of inspiring related picture-taking ideas in the reader's mind and to demonstrate how much can be done with how little. The book covers a lot of ground through topics such as: how to make the most of a pocket camera and natural light, trying out different lenses on a digital SLR, experimental shooting techniques (the author even takes his camera underwater with one model), getting your model to relax, act up or even to put on some costume-types-of-things, and also computer-related subjects such as converting images to amazing black-and-white images and going for contemporary fine-art or commercial looks. So, are these 500 photos any good and do they give the reader ideas? Yes and YES. Believe me, practically every one of the book's photos grabbed my eye, begged for a long look and got me excited about trying out something similar with my own camera. The book is about 90% photos and 10% text (the photos are mostly displayed without text, and the last couple pages of each chapter contain captions for all the images cover details about how the photos were shot, what was done on the computer, and maybe some behind-the-scenes stories). I honestly have no complaints about this book except that I had to wear my reading glasses to read the slightly small text. Photo Idea Index: People radiates enthusiasm and a "can do" mentality. I feel very fortunate to have found it. Also, this book has two companion volumes (one about Places and one about Things) that I have ordered but not yet seen. If they are anything like this one, then I'm going to be one happy reader/photographer.

1 of 1 people found the following review helpful.
Just what it says,,, an idea book
By Richard H.
When I purchased a good DSLR camera last year, I also acquired a couple of how-to books to better learn the technical aspects of digital photography. They have been quite useful but they are primarily about the mechanics of photography. This book and the others in this series by Mr. Krause have helped me better understand the creative side of photography. Although there is some instruction about how to take photos, this is more about ideas, as noted in the title. I have not read the book from beginning to end but tend to jump around to what looks interesting when I pick it up. I am learning to look around and see the potential for photographs in my surroundings as a result. I see this book as an opportunity for a professional photographer to share his experience in deciding what to photograph rather than how to photograph.

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This two-volume Encyclopedia of Global Justice, published by Springer, along with Springer's book series, Studies in Global Justice, is a major publication venture toward a comprehensive coverage of this timely topic. The Encyclopedia is an international, interdisciplinary, and collaborative project, spanning all the relevant areas of scholarship related to issues of global justice, and edited and advised by leading scholars from around the world. The wide-ranging entries present the latest ideas on this complex subject by authors who are at the cutting edge of inquiry.

The Encyclopedia sets the tone and direction of this increasingly important area of scholarship for years to come. The entries number around 500 and consist of essays of 300 to 5000 words. The inclusion and length of entries are based on their significance to the topic of global justice, regardless of their importance in other areas.

• Sales Rank: #17330330 in Books
• Published on: 2012-12-19
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Hardcover
• 1200 pages

Review

From the reviews:

“The book attempts to assess the many ethical and practical consequences of this markedly unequal division of the world’s resources. … The encyclopedia deals at length with some of the most profound ethical and political questions of our time … . for readers whose moral or political views are not prescribed for them by an all-powerful state or an all-embracing religion, this substantial and penetrating book will provide valuable guidance on matters of vital importance to the world.” (K. C. Fraser, Reference Reviews, Vol. 26 (7), 2012)

About the Author

Deen K. Chatterjee  is Senior Advisor and Professorial Fellow in the S.J.Quinney College of Law at the University of Utah and  a Global Ethics Fellow at the Carnegie Council for Ethics in International Affairs in New York City.  His areas of specialization are justice and global initiative, ethics of war and peace, and philosophy of religion and culture.  He is the series editor of Studies in Global Justice (Springer), with eleven volumes published in the series so far.  His publications include, most recently, The Ethics of Preventive War (Cambridge University Press); Democracy in a Global World: Human Rights and Political Participation in the 21st Century (Rowman and Littlefield); Ethics of Assistance: Morality and the Distant Needy (Cambridge University Press); and Ethics and Foreign Intervention, with Don E. Scheid (Cambridge University Press). Currently he is completing two monographs, one on the ethics of war and peace and the other on cosmopolitan justice. In addition, he is editing two volumes, one with Martha Nussbaum on Tagore's philosophy of education and the other on feminism and multiculturalism. Besides contributing chapters in several anthologies and encyclopedias, he has published articles and reviews in The Monist, Metaphilosophy, Ethics and International Affairs, Ethics, The Journal of Moral Philosophy, Social Philosophy Today, and The Good Society. Chatterjee has been a member of the American Philosophical Association's Advisory Committee on Applied Ethics (Eastern Division) and has been a two-term member of the Association's Committee on International Cooperation.

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• Sales Rank: #390444 in eBooks
• Published on: 2015-10-02
• Released on: 2015-10-02
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
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By Cmilly86
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The term "voodoo hoodoo" is used by Louisiana locals to describe the unique variety of Creole Voodoo found in New Orleans. In this book, you will find a plethora of authentic Voodoo and hoodoo rituals for love, justice, gambling luck, luck in court, prosperity, health, crossing, hexes, curse removal, and much more. The author has stripped the shroud of secrecy that has always surrounded Voodoo, and provides detailed instructions on everything from making gris-gris, magickal oils, talismans, and powders, to casting hexes.

• Sales Rank: #2186197 in Books
• Published on: 2009-03-25
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .65" w x 6.00" l, .90 pounds
• Binding: Paperback
• 258 pages

About the Author
Denise Alvarado was born and raised in the Voodoo and hoodoo rich culture of New Orleans. She has studied mysticism and practiced Creole Voodoo and indigenous healing traditions for over three decades. She is a psychological anthropologist, writer, artist, spiritual adviser, and cultural consultant.

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151 of 165 people found the following review helpful.
The Voodoo Hoodoo Spellbook
By A Reviewer
If I were new to Hoodoo this book would lead me to believe a lot of things that aren't necessarily true, for instance, I might believe that I would have to practice Voodoo if I wanted to practice Hoodoo and vice-versa or, at least, include the Lwa. It could very well be that this is how New Orleanian practitioners of both work them together, but the practices outlined in this book should not be mistaken for practices in the broader tradition; in fact, I don't think they should be mistaken for the practices of all Rootworkers WITHIN New Orleans. It would make absolutely no sense for a strictly Catholic Rootworker to include the Lwa, Orisha, Nikisi or any other spirit found in an African Traditional Religion in their practice of Hoodoo. They would likely work with archangels, saints, and perhaps, Blackhawk, but not these spirits.
On the positive side, Alvarado does a great job of explaining that Voodoo and Hoodoo are two different practices and that Voodoo is a religion whereas Hoodoo is folk magic. It would have been nice if the author stated, for the sake of clarity, that this is how she practices the two together or that the book represents a very region-centric version of Hoodoo and Voodoo co-mingled that is unlikely to be found outside the State of Louisiana.

I strongly disagree with her assertion that in New Orleans the two are called "voodoo hoodoo" because they were melded together. They may be melded together in the author's practice or in the praxis of people who practice both, but, again, what is in this book doesn't represent all practitioners nor the broader Hoodoo Tradition. The number of people who practice Voodoo and Hoodoo together is smaller than the number of Catholics who practice Hoodoo, and the number of Catholic practitioners is very small; most practitioners are Protestant Christians. There is also plenty of documentation from Hyatt, Hurston, Lomax, and interviews done by members of the LWP during the Great Depression to prove Alvarado wrong or, at least, over-reaching in her statement.

Her explanation for why a gris-gris bag (a mojo) is called a gris-gris is straight out of fantasyland; I have to wonder if she made it up. The word "gris-gris" is French and does translate as "gray-gray", but it's just a Frenchified version of the Central African word "gree-gree" or "gri-gri" which means "charm" or "fetish" and fits what a mojo/gris-gris is, a charm/fetish bag.

The information on crossing/uncrossing, foot track magic, and floor washing is accurate, however, when it comes to floor washing or spiritual cleansing to remove something, you don't throw it out the front door or into your front yard as she states, which is about the worst thing you can do. This is spiritual junk you don't want anywhere on you or on your property. There are several things you can do with it: take it to the crossroads, take it to the street in front of the house and toss it, or as most practitioner do..let is go down the drain and then pour some ammonia down the drain to cleanse it. If you were using a spiritual bath to draw something to do you then you'd want to keep the water on your property. She also states under the same topic that, "hardcore Hoodoos" use their urine or the urine of a child in floor washing. I don't consider the use of personal concerns in any work to be "hardcore Hoodoo" I consider it the right, traditional, and most logical/effective way to connect myself to what I'm doing and increase the strength of the spell or to connect the target of the spell to the spell.

She says you can put powders in someone's drink or food. I've never heard of this, and ingesting talc is not a good idea. It contains carcinogens and has been related to the development of various cancers. New mothers are also being warned against using it on newborns because the dust particals are small enough to enter the lungs and can cause breathing problems. I was taught that you can place many, many things into a person's food or a drink, but never a powder.

Ihe information about the "Hoodoo altar" is way over the top. None of what she lists is absolutely necessary, for instance, unless you are a Catholic working with saints you don't need saint prayer cards. That isn't to say that there are no Rootworkers who keep elaborate altars only that not everyone does and neither way is right or wrong.

The author lists large quantity of stones, yet very few stones and minerals are used and can be counted on less than two hands. It doesn't mean you can't use Aventurine if you wanted to, but doing so is not Hoodoo. Back in the day most practitioners couldn't afford precious or semi-precious stones so they didn't use them.

Under the Assorted Objects and Curios couple of things caught my eye that I have a problem with: the inclusion of Bluestone and what she says about the Black Cat Bone. Bluestone is not a stone it's copper sulfate and is extremely, extremely toxic. If it is still used in industry today the people dealing with it are wearing haz-mat suits because touching it unprotected can poison a person through their skin. In Hoodoo, Bluestone was long, long ago replaced with Laundry Bluing and she doesn't even list Laundry Bluing. I can see some poor soul, who doesn't know any better, end up getting some of this stuff and killing themselves with it.
Likewise, next to the listing for a Black Cat Bone she tells the reader to get chicken bones painted black instead. Sorry, but this is a stupid, stupid statement; she should have just left the Black Cat Bone off the list. A chicken bone painted black isn't a substitute for a Black Cat Bone and never will be!! A Black Cat Bone can only be obtained through a very inhumane process that kills the cat. It is alleged to give the owner of the bone the same abilities the Toad Bone gives in English Folk Magic, including invisibility. A chicken bone painted black will never do these things. As far as I know dried chicken feet, black hen's feathers, and black hen's eggs can all be used for cleansing, but these two animals don't do the same thing, obviously. I really have to wonder if she just made up this nonsense.

Under Formulas she includes three known sources, Cat Yronwode, Ray Malbrough's "Charms, Spells, and Formula's, and Herman Slater's "Magical Formulary". Catherine Yronwode's recipes can be trusted as is, but I would check her book Hoodoo Herb and Root Magic before I used Malbrough's stuff just to make sure it was correct; I wouldn't waste my time with Slater's book. It's full of incorrect information and whatever is correct he plagiarized from someone else without giving credit where it was due. One recipe book I do recommend is The Conjure Cookbook by Talia Felix.

She states that ritual bathing is used when facing negative stuff; however, ritual/spiritual bathing can be done for any reason and is often included as part of spellwork. The instruction she gives for spiritual/ritual bath is severely lacking. Nowhere does she state that spiritual cleansing has to be done before sunrise, that if drawing good things the bath should also be taken at dawn, and if trying to get rid of something the bath should be done at twilight. She also doesn't mention directionality regarding the left over bath water. She includes baths with a few as one ingredient when few Rootworkers would make a bath with only one ingredient. As far as the rest of the baths: white, yellow etc. these have nothing to do with Hoodoo; they are used in Vodou/Voodoo in connection with the Lwa.

Alvarado writes that gris-gris can consist of a doll or a bag. Well, maybe in New Orleans or in Alvarado's practice they do, but you won't get that answer if you ask most Rootworkers. In Hoodoo a mojo/gris-gris is a mojo and a doll-baby/dollie is a doll-baby/dollie. The primary difference is that a doll-baby is used to influence a person because once it is named and baptized it becomes that person. A mojo doesn't represent a person, and is never treated the same way a doll-baby is.
She also writes: "You should only put an odd number of items into your gris-gris bag; never less than three and never more than thirteen." This is one of those unnecessary "musts/shoulds". You can use any number of ingredients you want to, some people count their ingredients and some people don't; neither way is wrong. Some people follow the "odd number" practice and some don't, neither way is wrong. There are no rules in Hoodoo concerning counting or the amount of ingredients, although, someone using more than 13 might signify someone who isn't quite sure of what they are doing. The most important aspect of ingredients is getting the most effective ones for the job not how many a person is using.

Here's another unnecessary must: "Color symbolism is important. Choose a color specific to your need." No, isn't not and no, you don't have to. Prior to the 1940's Hoodoo practitioners used only two colors: black for harmful work and white for beneficial work because colored candles where too expensive, and a few Rootworkers will still work like this. Likewise, some Rootworkers only use red flannel for mojo/gris-gris regardless of what its purpose is and some don't. Again, there are no rules regarding this.

The author tells the reader not to use Goofer Dust and only includes it because for historical value...give me a break. She is attempting to insert her own ethics into someone else's practice. If she isn't comfortable using Goofer Dust then she shouldn't, but few Rootworkers would appreciate being told what type of magic they should or shouldn't practice. Then she also claims that it can be used for protective purposes, yeah, good luck with that one. It sounds like she's taken a few lessons from the Stephanie Rose Bird School of Hoodoo. Despite what she claims, Goofer Dust has absolutely NO protective qualities to it; it is used to harm and only to harm. In some parts of the country "goofer dust" or "gopher dust" is another name for graveyard dirt, but this is a very region-centric term and is not common in the wider tradition. If you call a supplier and tell them you want this stuff thinking you are going to get graveyard dirt you're going to be in for a big, unpleasant surprise.
Graveyard dirt can be used to help or harm it all depends on the spirit of the dead you're working with, but graveyard/spirit work is not beginner's work as a lot can go wrong with frighteningly bad results.

The chapter on Talismans is so full of nonsense and misdirection I'm not even sure where to start other than to say that this chapter isn't Hoodoo or Voodoo. If anything, it's eclectic Neo-Pagan or Wiccan-style magic, and some inclusions are irresponsible: for instance, a veve is used to call the Lwa it belongs to, and if you don't know how to serve them I wouldn't suggest drawing one. She includes the veve for the Lwa Marinette yet Marinette has a reputation in Haitian Vodou for being dangerously aggressive and "does not suffer fools" as I was once told by a Haitian Vodou Mambo.

In the Spells chapter we have eclecticism run amok. I didn't look at each and every spell, but what I see in this chapter is the same thing I saw in Dorothy Morrison's Utterly Wicked and Stephanie Rose Bird's books: Neo-Pagan spells made with Hoodoo parts, and include everything but the kitchen-sink. The Neo-Paganism includes, but is not limited to: emphasis on the four directions when Hoodoo really only deals with east and west; emphasis on working on a specific day of the week (some do and some don't); following moon phases (some do and some don't); all those Blessed Be's; the use of a bind Rune, Sumerian symbolism, and creating "sacred space" when Rootworkers don't cast circles; nor do the Elements/Elementals play any kind of role in Hoodoo.

Likewise, her method of "consecrating" objects is purely Neo-Pagan and not used in Hoodoo. She also says to empower, which is unnecessary as far as most Rootworkers are concerned. Since Hoodoo is animistic and everything contains a spirit whatever curios/ingredients the Rootworker is using are already "empowered" to accomplish the task the Rootworker needs done. All the Rootworker has to do is focus and tell the spirits in the curios what needs to be done in the form of some type of recitation. She is really making things more complicated then they need to be.

Her statement that "crossing spells are a form of foot track magic" is wrong. Crossing spells can be accomplished in many, many different ways including using foot track magic, but the two are not the same thing and foot track magic can be used for other things besides crossing someone. She also separates crossing spells from curses, jinxes, and hexes when these are just other words for the same thing; however, the word "hex" is rarely used in Hoodoo. It's German and found more commonly in Pow-wow or English Folk Magic.

In the instances where she references Hurston's "Mules and Men" there is something more authentically Hoodoo, but even Hurston was known for using creative license and making things up so if you use anything that came out of Mules and Men check it out first even though it's probably legit. If you choose to use any of these spells do some research beforehand. Personally, I wouldn't trust anything she's written here without investigating it and if any of it "feels" Neo-Pagan you can rest assure it isn't Hoodoo or Voodoo.

Final Note from the Author section
Why, why, why do these authors or their publishers insist on including the Three-fold Law or Karma in books like this? Neither of these concepts have any place in Voodoo or Hoodoo. I would imagine that being a religion, Voodoo, has some type of code of conduct, but if it's anything like Haitian Vodou it sure isn't either of these.
Hoodoo doesn't have any type of built-in ethics so ethics vary from one person to the next and one's ethics are nobody else's business. If a practitioner wants to believe in things like TFL or Karma that is their choice, but most practitioner of Voodoo or Hoodoo don't subscribe to such beliefs.

Bibliography
I think it's strange that she includes Hyatt's "Folklore of Adams Cty, IL." in the book. There's no doubt that FACI is a great collection of folklore, but it's hardly southern folklore. She would have done better using Folk Beliefs of the Southern Negro-1926 by Newbell Niles Puckett or Ozark Folk Magic and Superstition by Vance Randolph.
It's also sad that she referenced Malbrough's Hoodoo Mysteries for this book. Hoodoo Mysteries is junk unless you want Wiccanized pseudo-Hoodoo. Generally, most Rootworkers write off Hoodoo Mysteries as his worse book, and don't recommend it to anyone.

This book doesn't start off bad and does contain some good information; however, it falters in putting that information to use in an authentic manner. As far as quality, in some ways this book is better than Stephanie Rose Bird's books, Malbrough's "Hoodoo Mysteries", or Morrison's "Utterly Wicked" and in others it's just as bad as far as misinformation, a lack of correct basic information, eclecticism run amok, calling something Hoodoo or Voodoo when it clearly isn't, and in some cases inclusions that are just plain dangerous. Despite it's title it isn't about practicing New Orleans-style Voodoo or Hoodoo; it's Neo-Pagan magic with some Voodoo and Hoodoo thrown in much like other books published in this genre over the last several years. This doesn't mean that what she includes won't work only that it isn't what the author claims it is.

24 of 32 people found the following review helpful.
Exactly what I wanted to write myself, but...
By Sara M. Kay
...Denise Alvarado beat me to it!

I bought this book from Denise's website "The Mystic Voodoo" along with the companion CD (which has extra occult texts and material not in the book), and couldn't be happier with my purchase. While the term "Voodoo Hoodoo" might throw off some viewers, the writer is clear in the proper definitions of both Voodoo AND Hoodoo early on in the book. This is chocked full of information regarding the Loa, Catholic saints, magic, folk remedies, superstitions, recipes for occult oils, rootwork and just about everything else. A great introduction to both New Orleans Voodoo and Hoodoo, a must-buy for those interested in these paths.

I would also recommend the following as companion purchases: Hoodoo Herb and Root Magic: A Materia Magica of African-American Conjure, Dr. Snake's Voodoo Spellbook and Jambalaya: The Natural Woman's Book of Personal Charms and Practical Rituals.

4 of 4 people found the following review helpful.
It's ok-ish.......
By Dana
The Voodoo Hoodoo Spellbook is okay-ish. It has some interesting things in it. If I knew someone that already had it, I would have asked to borrow it & not have bought it. The author states she kept the wording the way she had it past to her & due to that, she had a 'translation' glossary to help better understand the wording. I would have liked a more in depth glossary. There were words that I didn't know the meaning of/had never seen and they were not in the glossary. Some readers (like me) are beginners, so some of the terminology was like trying to understand Martian. I had to go online to look up words... I kinda lost interest in the book.......

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[M748.Ebook] Download PDF Modern Flight Dynamics, by David Schmidt

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Modern Flight Dynamics, by David Schmidt

Download PDF Modern Flight Dynamics, by David Schmidt

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This book is written primarily as a textbook, but with today's extensive military emphasis on unmanned flight drones and highly maneuverable vehicles, practicing aerospace engineers in the industry, as well as electrical engineers working in flight controls, will find this book a valuable reference.

The field of flight dynamics has evolved considerably, and is still evolving in large part because of the prevalence of feedback control systems that now dominate the dynamic response of most new aircraft. Thus, in addition to a thorough and readable treatment of more conventional topics, this book provides a much more rigorous emphasis on dynamics coupled with extensive linear-system analysis to meet the needs of today's engineers and designers

• Sales Rank: #545021 in Books
• Published on: 2011-03-01
• Original language: English
• Number of items: 1
• Dimensions: 9.40" h x 1.60" w x 7.40" l, 3.30 pounds
• Binding: Hardcover
• 912 pages

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0 of 0 people found the following review helpful.
The New Standard for Aerospace Vehicle Flight Dynamics Education
By Kevin Blankinship
This book is a milestone in education in flight dynamics. For decades, the syllabus for this subject was based on the works of Perkins and Hage and later that of Etkin. Unfortunately, this syllabus was too manned aircraft-centric and didn't address other subject areas that had become of importance in the field over the years. A good attempt to rectify this was the recent book by Robert Stengel. But Schmidt's book is more apropos to the needs of the engineer and also provides a more vivid presentation. This will likely be the classic text in this subject for the next few decades.

0 of 0 people found the following review helpful.
Learning will never be fun. Good book though.
By How It Is
It should be obvious that I got this book for a college class. Its a good book, and I even decided to keep it rather than selling it at the end of the semester.

0 of 1 people found the following review helpful.
good
By G. Fujiwara
Fast delivery, good quality

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[S796.Ebook] Ebook Free Scrawl, by Mark Shulman

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Tod Munn is a bully. He's tough, but times are even tougher. The wimps have stopped coughing up their lunch money. The administration is cracking down. Then to make things worse, Tod and his friends get busted doing something bad. Something really bad.

Lucky Tod must spend his daily detention in a hot, empty room with Mrs. Woodrow, a no-nonsense guidance counselor. He doesn't know why he's there, but she does. Tod's punishment: to scrawl his story in a beat-up notebook. He can be painfully funny and he can be brutally honest. But can Mrs. Woodrow help Tod stop playing the bad guy before he actually turns into one... for real?

Read Tod's notebook for yourself.

• Sales Rank: #76624 in Audible
• Published on: 2011-09-13
• Format: Unabridged
• Original language: English
• Running time: 377 minutes

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6 of 6 people found the following review helpful.
Bullies. Likeable or not. Redeemable or not.
By Deborah Sandford
Written in first person by Tod Munn, a petty bully who is book smart underneath his mean exterior. Tod suffers a detention that includes writing in a notebook everyday after school in a silent room with a silent proctor for several weeks.This school situation could be middle or high school; the kid could be of whatever race you imagine him to be.

Shulman writes very well. He gives Tod a believable teenage voice with the accompanying emotions. The only other character that "speaks" is the guidance counselor who supervises Tod's detention, and occasionally responds in writing in his journal.
All other characters in the book are seen through Tod's eyes, and yet the author aptly depicts them as complete individuals.

Although somewhat corny and contrived in spots, with rapid fire twists and turns at the end, the novel wraps up neatly, like a poem, making for a satisfying read. Once begun, it's a book you want to keep reading.

And, oh, yeah, we find out that the school is loaded with bullies besides Tod and his 'droogs'.

This is mostly billed as a YA book, but I would say it's good for grades 5+.

4 of 4 people found the following review helpful.
A Wonderful Book for Readers of All Ages
By Robert Kent
Scrawl by Mark Shulman is a great book and well worth reading and/or purchasing. As you know, I try to get all of my books for free through this blog, but if I were going to pay money for a book, I would pay money for this one. Sometimes you pay $16.99 for a book (Scrawl's cover price, which I looked up on my free copy) and you feel like you only got $8.99 worth of story. Not so here. I would say I got at least $50.97 worth of story, bare minimum, maybe more. That's three times the value, at least! So you should buy this book because it just makes economic sense. You can, of course, check with your local library as well. Also, is it just me, or do these reviews get a little sillier every week:)

Silly or not, I do have an obligation to tell you about this book and more, I want to. Meet Tod Munn. He's an overweight bully who extorts money from the weaker kids. I loved him and you will too. He's cynical to a degree, but there is a lot of truth to his observations about his school and about the world in general. As with the main character in Amy Reed's Beautiful, you likely won't agree with everything he thinks and says and on some things, you will likely vehemently disagree, but I feel that Tod's viewpoint is challenging and worth considering. Here's an early example:

What else is in the room? There's a cracked brown flower-pot with a dead stick in it. The stick was probably a plant. It's got a red ribbon hanging off it like you would find on the corner of a diploma or if you won the Spelling Bee. The ribbon says "Congratulations," but who the hell knows why? Congratulations, you finally got a low-paying teaching job. Congratulations, you retired and didn't die of boredom teaching the same idiocy to idiots who care less about what's in your mind than what's in your car. Congratulations, you just put your new plant on a baking-hot radiator in a room that overlooks a brick wall in a crappy part of town. Congratulations, we're entrusting you with the mascot of our school. It's a dead stick.

I can't tell you for sure how old Tod is. I've searched online and in the text, and I believe it's left intentionally vague. Nor can I tell you what grade Tod is in. He has to be in middle school or high school, which makes this book upper middle grade to young adult. I'm hoping Tod's age isn't specified somewhere as there will be egg on my face, but I'm 95% sure I'm right about this.

And even if I'm wrong, Tod felt like he could have been a few different ages, which is certainly not something that works in every book, but it works very well here. And the best thing is readers from all age groups are likely to see themselves in Tod. There is no content too adult and no swearing, except for the occasional opposite-of-heaven, he--double hockey sticks. There's nothing so bad younger readers shouldn't read it, nor will older readers find it condescending. Shulman has found a perfect way to market a book to everyone.

The reason it works is Tod himself is telling the story: This is my first book, and I'm writing it for one reason only. Not for history and not for scientific research and definitely not to let out my inner demons. I'm doing it so I don't have to pick up trash in the school courtyard like certain deviant so-called friends of mine who also got caught.
I am being reformed.

The situation is Tod and his buddies have done something very bad. What did they do? Esteemed Reader, you know I don't spoil books, but you find out late in the game. The entire story is told in excerpts from Tod written during his detention after this mystery event. There are occasionally comments from Mrs. Woodrow who asks Tod questions about the story to get us information he would otherwise have no reason to give us. It's a brilliant device and from a craft standpoint, it's one of the big reasons to read this book.

Writing in the first person is difficult for a number of reasons, most notably a limited perspective. More, it limits the writer somewhat in the language they can use, although most writers cheat their way around this. But If I were writing from the first person perspective of an eleven-year-old girl and I were to point out that a particular situation is a conundrum of paradoxical proportions, it begs some questions about what sort of eleven-year-old-girl I am pretending to be. Is the character a huge nerd who regularly speaks like this? If not, the phrasing is out of character and a misstep. To be fair, writing the phrase "a conundrum of paradoxical proportions" is likely a misstep in third person as well, unless the writer is being intentionally humorous;)

Most writers cheat to some degree, crossing over the line between character voice and prose worth reading regularly despite writing in the first person. The trick is not to get caught and it's a difficult balancing act, limiting oneself to the character's fixed perspective while still meeting the needs of the larger narrative. What Shulman has done for himself is to add in an extra layer of complexity by writing the story not only from the perspective of his main character, but also from the writing aptitude of this character. Writers, the book is worth reading just to see Shulman pull this off, and he does pull it off.

Do I really believe that this book was written by Tod Munn, who is under the age of eighteen? No. The spelling and the prose is too perfect for that, and I'm glad of it. Books that are written the way actual teenagers write (most of them) are usually worth quite a bit less than $16.99 and the prose would serve more as a distraction than anything else. Shulman wisely gives Tod an interest in books and a knack for English, particularly spelling, but it wasn't enough to fool me.

And yet the character of Tod does come through in these pages. I felt like I knew Tod by the end of the book. I felt like if I saw him somewhere I would know him. Because Shulman did pull off the most important trick of all: despite the obviously advanced writing, I did believe I was reading the voice of Tod, that somehow his spirit was intact within these pages.

How did Shulman pull this off? Esteemed Reader, if I knew, I'd tell you. It's an amazing performance and one I'll be studying for a time to figure out. If you are a writer as well, and I think most of you are, this is a book to study for character and voice. If you're a reader, here is a story you're gonna love and a character worth spending 230 pages with. I'm still thinking about him well after finishing.

And now, as is my custom, I will leave you with some of my favorite excerpts from the book:

"The only reason I'm giving you more," Nardine (lunch lady -MGN) muttered, hurling gobs of saucy meat onto every part of the plate, "is because I know what's in it. I can only hope it kills you."

I didn't have a clue what Rex was up to, but if it meant smacking some missionary in front of an old lady, or swiping that briefcase, their friends would empty the pews to get an eye for an eye.

Being mad at Bernie is like being mad at a dog. Both of them want to make you happy. Either one will make you crazy. Neither of them thinks of the consequences. And they both smell pretty bad in the rain.

They might try to shake some cigarette money out of me, but cigarettes are stupid expensive these days, and they know I don't have that kind of money.

3 of 3 people found the following review helpful.
Literate Bad Guy = Someone to Curl Up With
By KI Berens
Scrawl puts you right inside the head of Tod Munn, a perpetually hungry, poor bully who survives his nasty rich kid/poor kid school by pretending to be dumber than he is. But as the book opens, this strategy isn't holding: he's in detention and given one last chance to convince a school counselor to let him stay at school. The journal he writes in detention--the explanation of his crimes--is the book Scrawl. As the book unfolds, we follow Tod through some excellent adventures, all of which build to a climax that feels transformative without being preachy. Shulman hits the tone just right. The author of over 50 children's books, Scrawl is Shulman's first YA. Talk about hitting it out of the park! Tod's voice and POV are distinctive and winning. But so's the artist/dramanerd/hyper-confident and competent Luz, the girl who doesn't fit it and so changes the school so that it can make room for her talents. These are some powerfully imaginative kids.

Briskly paced, laugh-out-loud funny but also a deep look into how a smart boy comes of age in a desolate home and school, Scrawl is peopled by Tod's characters who are fundamentally different from each other. Luz captures the imagination, with her peremptory but brilliant manner of getting everyone to act in her play. Tod's mom is harsh but kind of funny and *real.* Even the lousy lunch lady slopping meat sauce onto Tod's tray has a point-of-view, and Tod fields them all: the well-meaning school counselor, his "droogs" who, though they are his best friends, are too dumb really to know him, and the English teacher who pretends to be Tod's friend only to . . . . . So much happens in this book! I could go on forever. Instead, I salute Mark Shulman, author of my favorite YA novel. Ever.

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